These sonic frequency objects have also developed in response to being asked to take part in various collective group exhibitions abroad, which meant that my contributions had to fit easily into suitcases, or be mailed. This process of working within parameters for international group exhibitions occurred with projects curated by Doron Polak. My contributions were mailed to two MARKERS projects during Venice Biennales 2009 and 2011: as well as contributing to Doron's archive of copybooks exhibited at TransMission during dOCUMENTA(13). Further nomadic projects were organised by A2Arts as exchange exhibitions with other artist groups in Europe, e.g. with Atelier WG in Amsterdam.
Rhinoceros Frequencies, 2014
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Auld Lang Syne Frequencies 1, 2013
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Delineation, London 2012
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TransMission, Kassel, Germany 2012
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Art Plates, London 2012
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MAPPING, Venice 2011
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Undercurrents, Hastings 2009
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Culture Kiosk, Venice 2009
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SALE, London 2009
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Punt WG, Amsterdam 2008
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